Size: 459
Comment:
|
Size: 21898
Comment:
|
Deletions are marked like this. | Additions are marked like this. |
Line 4: | Line 4: |
'''3D20. Resonance in Strings''' |
''PIRA classification 3D'' = 3D20. Resonance in Strings = ||<:10%>'''PIRA #'''||<:>'''Demonstration Name'''||<:60%>'''Abstract'''|| ||3D20.10|| sonometer|| A sounding box with strings, tuning machines, and adjustable bridges.|| ||3D20.10|| sonometer|| A long spruce box with three strings, tuning machines, and adjustable bridges.|| ||3D20.11|| vertical sonometer|| A vertical sonometer allows tension to be applied by simply hanging weights.|| ||3D20.14|| tuning fork driven sonometer|| Place a tuning fork on the bridge of a tuned sonometer and observe the motion of a small piece of paper placed on the wire at its center.|| ||3D20.15|| harmonics on a string|| Pluck a string at different distances from the end or pluck while touching at various nodes.|| ||3D20.20 ||modes of string oscillation on scope|| || ||3D20.20|| modes of string oscillation|| Use voltages generated by magnets placed across steel strings attached to an oscilloscope to view string motion.|| ||3D20.20|| sonometer|| An electromagnetic pickup is used to display the waveform of the sonometer string on an oscilloscope.|| ||3D20.21|| guitar and scope||Show the output of an electric guitar on an oscilloscope.|| ||3D20.30|| bowed string|| An overhead projector is modified for strobe projection and the string is bowed with a motorized "O" ring.|| ||3D20.30|| sonometer wire motion|| Demonstrate the motion of a sonometer wire by stroboscopic shadow projection or using a light beam and revolving mirror.|| ||3D20.30 ||string in a projector ||The motion of a string is shown by placing any portion in a lantern projector limited by a slit. The difference in bowing, plucking, and striking can be demonstrated.|| ||3D20.31||optical detection of string motion|| An optical detection system for showing the position of a vibrating string.|| ||3D20.35|| resonance of strings|| A tuning fork is held against a three string sonometer with one string tuned to the fork frequency. Only the tuned string will vibrate.|| ||3D20.36 ||simulated piano string coupling|| A classroom device that simulates the coupled motion of piano strings and theory of the device.|| ||3D20.45|| longitudinal vibrations in strings|| Stroke a string attached to a diaphragm across the open end of a cylinder. By jerking, you can make it bark like a dog.|| ||3D20.52|| aeolian harp ||Mount strings vertically on a rotating table to give the sound of strings excited by the wind.|| ||3D20.52|| aeolian scope|| A sort of aeolian stethoscope.|| ||3D20.60|| rubber-band harp|| The pitch of a rubber-band changes only slightly with great increase in length (tension).|| |
Line 7: | Line 31: |
'''3D22. Stringed Instruments''' '''3D30. Resonance Cavities''' '''3D32. Air Column Instruments''' '''3D40. Resonance in Plates, Bars, Solids''' '''3D42. Percussion Instruments''' '''3D46. Tuning Forks''' '''3D50. Electronic Instruments''' |
= 3D22. Stringed Instruments = ||<:10%>'''PIRA #'''||<:>'''Demonstration Name'''||<:60%>'''Abstract'''|| ||3D22.10|| violin|| || ||3D22.20|| cigar box cello ||A wooden cigar box serves as sounding box for a one string violin.|| ||3D22.20|| cigar box cello|| A one string violin made with a cigar box body.|| = 3D30. Resonance Cavities = ||<:10%>'''PIRA #'''||<:>'''Demonstration Name'''||<:60%>'''Abstract'''|| ||3D30.10|| vertical resonance tube|| Draw a glass tube out of a water bath while holding a tuning fork over one end.|| ||3D30.10|| veritcal resonance tube ||The length of a glass tube is varied by pulling it out of a water reservoir. A tuning fork is used as a frequency source.|| ||3D30.10|| vertical resonance tube modification|| Design of a clamp to hold the tuning fork and resonance tube, and a bracket for the water reservoir.|| ||3D30.10|| vertical resonance tube|| A glass tube is drawn out of a water bath while holding a tuning fork over one end.|| ||3D30.10|| vertical resonance tube ||Use a tuning fork to excite the air column in a vertical tube as it is pulled out of a water bath.|| ||3D30.11|| vertical resonance tube|| Blow across the mouth of bottles or a adjustable air column.|| ||3D30.12|| vertical resonance tube ||A vertical tube is mounted over a siren disk.|| ||3D30.14||open tube resonance ||A length of open tube adjusted by a paper extension and excited by a tuning fork.|| ||3D30.15 ||resonance tube with piston|| Mount a microphone on a piston that slides in a glass tube and close the other end of the tube with a speaker.|| ||3D30.16|| horizontal resonance tube|| A plunger on a rod is used to change the effective length of a horizontal glass tube as a tuning fork supplies the exciting frequency.|| ||3D30.16|| organ pipe velocity nodes|| Lower a ring with a membrane and sand into a pipe with a clear side to observe velocity nodes and antinodes.|| ||3D30.17 ||modes of a bottle|| A thorough discussion of modes of various bottles working up to a 3-D model.|| ||3D30.19|| low frequency generator||A special tip for an air jet that produces many frequencies of low intensity useful for exciting enclosed air columns.|| ||3D30.20|| open and closed tubes 256/512|| || ||3D30.20|| resonance tube 256/512|| A tube is cut to length to resonate at 256 Hz when closed and 512 Hz when open.|| ||3D30.21|| conical pipes|| Corrections for the effective length of open and closed circular pipes are given. A conical pipe discussion with several interesting demonstrations is listed.|| ||3D30.35|| [:Corrugaphone:Corrugaphone]|| || ||3D30.35|| Hummer tube|| The complete explanation on singing corrugated pipes.|| ||3D30.35|| freq tube dash pot|| A freq tube is attached to coffee can moved up and down in a pail of water.|| ||3D30.35|| freq tube|| Open tubes of corrugated plastic are whirled around.|| ||3D30.40|| Helmholtz resonators||A set of spherical resonators made of spun brass.|| ||3D30.40 ||Helmholtz resonators|| A small vane is rotated when placed near the small opening of a resonating Helmholtz cavity.|| ||3D30.40|| acoustic resonator|| This picture appears to be of a Helmholtz resonator.|| ||3D30.40|| Helmholtz resonators|| Two resonators are matched to two tuning forks.|| ||3D30.41|| tuning a resonance box|| The hole size of a resonance box is adjusted to maximize resonance with a tuning fork.|| ||3D30.43|| Fizeau resonance box|| A toothed wheel is used to produce a high pitched sound and an adjustable resonance box with a sensitive flame detector is used to determine speed of sound.|| ||3D30.45|| ploop tubes|| Stoppers are removed from a set of tubes of varying length.|| ||3D30.45|| ploop tubes ||Pull stoppers out of test tubes filled with water to different depths.|| ||3D30.50|| Ruben's tube||The standard Reuben's tube.|| ||3D30.50|| Ruben's tube|| A gas filled tube with flames from a row of holes along the top and a speaker at one end.|| ||3D30.50|| Ruben's tube ||Directions for building a Ruben's tube. Picture, Diagrams.|| ||3D30.50|| Ruben's tube|| Drill a line of holes along a downspout and drive one end with a loudspeaker and introduce gas in the other. Flames indicate nodes and antinodes.|| ||3D30.50 ||Ruben's tube ||A horn driver is used as a sound source.|| ||3D30.55|| Rubens tube comment|| A comment on AJP 53,1110 (1985).|| ||3D30.55|| Rubens tube flame structure|| An examination of the structure of the flames in the normal mode (flame maxima at pressure nodes).|| ||3D30.55 ||Ruben's tube nodes|| The pressure is measured at each flame hole and the results are that the flames are larger at the pressure antinodes.|| ||3D30.55|| Ruben's tube nodes|| A comment on a note that the tube can be operated with flame maxima at either pressure node or pressure antinode.|| ||3D30.60|| [:KundtsTube:Kundt's Tube]|| Sawdust in a tube makes piles when driven by rubbing a rod attached to a disc.|| ||3D30.60|| Kundt's tube ||Standard Kundt's tube: glass tube with cork dust, stroke a rod to excite air in tube.|| ||3D30.60|| Kundt's tube|| Stroke a rod to excite cork dust in a tube.|| ||3D30.61|| horn driven Kundt tube|| Investigation of striations in an electrically driven Kundt tube.|| ||3D30.61|| Kundt's tube ||The cork dust in Kundt's tube is excited by a horn driver.|| ||3D30.62 ||Kundt's tube|| A variation of Kundt's tube with an organ pipe made with one side of rubber or cellophane and sprinkled with sand while laid on its side.|| ||3D30.63|| Kundt's tube on the overhead|| A Kundt's tube is modified for use on the overhead projector.|| ||3D30.64|| evacuate Kundt's tube|| Show the effect of pressure variation on the speed of sound by partially evacuating the Kundt's tube.|| ||3D30.65|| hot wire Kundt's tube|| Cooling of a glowing wire down the center of a tube indicates standing waves.|| ||3D30.65|| horizontal resonance tube - wire|| A nichrome wire stretched down the middle of a glass tube and heated electrically will glow to show standing waves.|| ||3D30.65|| hot wire pipe|| Blow a whistle at one end of a tube with a hot wire running down the axis to show areas of low and high luminosity.|| ||3D30.66|| Kundt's tube - impedance measurement|| Use the oscilloscope to show variation of impedance in the driving coil with changes in tube length.|| ||3D30.69 ||pressure distribution in a cavity|| Liquid deformation on the bottom of an acoustic cavity shows the time-dependent pressure distribution in a standing sound wave.|| ||3D30.70|| hoot tubes|| A Bunsen burner heats a screen in the bottom of a large open vertical tube.|| ||3D30.70|| hoot tubes|| Large glass tubes sound when a wire mesh at one end is heated with a Bunsen burner.|| ||3D30.70|| hoot tubes|| A Bunsen burner heats a screen in the bottom of a large open tube.|| ||3D30.70|| hoot tubes|| Singing tubes excited by hot gauze.|| ||3D30.70|| hoot tubes|| Hints for making a singing tube work with only flame excitation.|| ||3D30.70|| singing pipes|| Two metal tubes and a glass one.|| ||3D30.71|| hoot tube|| Insert a fisher burner in a tube.|| ||3D30.72|| hoot tubes|| The gauze in a hoot tube is held at the bottom of the tube and the flame is lit above it.|| ||3D30.73|| Rijke Tube - electrical heating|| Construction of electrically heated Rijke tubes, tuning a T shaped tube.|| ||3D30.74|| variable hoot tubes|| || ||3D30.75|| Knipp tubes|| Knipp tubes are a special form of singing tube made by holding a short length of glass tube in the closed end of a larger tube. Picture. Ref. F.R.Watson, "Sound"p.214.|| ||3D30.77|| hot chocolate effect|| Tap on a tall cylinder full of water and then repeat with hot water so there are lots of bubbles. The pitch descends three octaves and rises as the bubbles float up.|| ||3D30.77|| hot chocolate effect - comment|| A few explanations from a physical chemist.|| ||3D30.77|| hot chocolate effect|| Tap on the bottom of an empty glass, a full glass (higher pitch), and a glass full of tiny bubbles (pitch raises as glass clears. Methods of generating bubbles with beer and hot water. More.|| = 3D32. Air Column Instruments = ||<:10%>'''PIRA #'''||<:>'''Demonstration Name'''||<:60%>'''Abstract'''|| ||3D32.10|| tin flute|| Open and close holes on a tin flute to find pressure nodes and antinodes.|| ||3D32.10 ||organ pipes with holes|| Show open and closed pipes of various lengths and one with holes bored in the side to give the diatonic scale.|| ||3D32.10|| resonance tubes (three lengths)|| Blow air out of a flat nozzle across a set of three different length tubes.|| ||3D32.13|| shrieker|| Insert a 1/2" dia. tube 12" long into a bottle of water and blow across.|| ||3D32.15|| slide whistle|| Use a high quality sliding whistle made for band.|| ||3D32.15|| variable pitch whistle|| A whistle with a sliding piston.|| ||3D32.15|| slide whistle|| The variable length organ pipe.|| ||3D32.16|| bird call|| Directions for making a bird call. Diagram.|| ||3D32.20|| organ pipes with holes|| || ||3D32.25|| open and closed end pipes|| || ||3D32.25|| organ pipes|| A collection of open, closed, and variable length organ pipes.|| ||3D32.25|| organ pipe|| A set of square wood organ pipes with a removable plug.|| ||3D32.25|| pipes and whistles|| A simple discussion listing organ pipes and whistles.|| ||3D32.25|| open and closed tubes ||Some very nice adjustable open and closed resonance tubes.|| ||3D32.25|| organ pipe|| An organ pipe is connected to the house air.|| ||3D32.25|| open and closed end pipes|| Three organ pipes, open and closed.|| ||3D32.27|| "C" bazooka|| A 1.314 m brass tube sounds the note "C" when blown with the lips.|| ||3D32.30|| slide whistle|| || ||3D32.35|| demonstration trumpet|| Interchangeable mouthpiece, leadpipe, cylindrical section, and bell allow one to show the function of the various parts of the brass instruments.|| ||3D32.36|| hose in the bell|| With a garden hose in the bell of a trombone (flush with the end), the tones are: 3:5:7:9:11 and without the hose: 2:3:4:5:6.|| ||3D32.40|| demonstration trumpet|| || ||3D32.40|| PVC instruments, etc.|| Very good instructions on making various instruments out of PVC. Also using a computer with a synthesizer to study scales.|| = 3D40. Resonance in Plates, Bars, Solids = ||<:10%>'''PIRA #'''||<:>'''Demonstration Name'''||<:60%>'''Abstract'''|| ||3D40.10|| glockenspiel|| A small xylophone can be played to demonstrate the musical scale.|| ||3D40.10|| xylophone|| A small xylophone.|| ||3D40.10|| xylophone bars|| Use a microphone and oscilloscope to display the waveforms of various notes on a xylophone.|| ||3D40.11|| rectangular bar oscillations|| Strike a three foot rectangular bar on different faces and on the end. Listen to the different frequencies.|| ||3D40.12|| high frequency metal bars|| Hold a metal rod at the midpoint and strike at the end. Two rods an octave apart are shown.|| ||3D40.15|| musical sticks|| A set of wood sticks play a major scale when dropped on the lecture table.|| ||3D40.15|| musical sticks|| A set of wood sticks is cut so they sound the musical scale when dropped.|| ||3D40.15|| musical sticks||Directions for making musical sticks.|| ||3D40.15|| musical sticks||A set of sticks give a complete scale when dropped.|| ||3D40.16|| musical nails|| || ||3D40.20|| singing rod|| Hold a long aluminum rod at the midpoint and stroke with rosened fingers.|| ||3D40.20|| singing rod|| A long aluminum rod will sing when held at the center and stroked with a rosin coated leather.|| ||3D40.20|| singing rods||Hold a long aluminum rod at the midpoint and stroke with rosined fingers.|| ||3D40.21|| singing rod|| Stroke a 1/2" x 72" aluminum rod while holding at nodes to produce different harmonics.|| ||3D40.23|| bow the vertical rod ||A long thin rod attached to a short thick rod clamped vertically is bowed and plucked while held at various positions.|| ||3D40.24|| regenerative feedback in rod|| A detector at one end, speaker at the other, and an amplifier in between provides a regenerative feedback system for exciting a rod in the fundamental frequency.|| ||3D40.24|| speed of sound in a rod|| Stroke a loud rod to get a squeal, tune a oscillator and speaker to get rid of beats, and calculate the velocity.|| ||3D40.24|| speed of sound in a metal wire|| Wire is stretched tightly and stroked with a wet sponge.|| ||3D40.24|| velocity of sound in a rod|| A rod clamped in the middle is excited by a coil at one end tuned until a Lissajous pattern is formed on an oscilloscope with the signal from a microphone placed at the other end.|| ||3D40.24|| singing rod|| A rod is excited electromagnetically at one end and the motion is detected in the same manner at the other end for quantitative studies.|| ||3D40.27|| singing rod|| Find Young's modulus by finding the sag in a rod and then compare the frequency of the fundamental mode with theory.|| ||3D40.30|| Chladni plate|| Strike or bow a horizontal metal plate covered with sand while touching the edge at various nodal points.|| ||3D40.30|| Chladni plate|| A brass plate clamped horizontally in the center is bowed while the edges are touched to provide user selected nodes. Banding sand shows patterns of oscillations.|| ||3D40.30|| Chladni plates|| Bow the Chladni plate while damping at node locations with a finger.|| ||3D40.30|| Chladni plates|| Excite the Chladni plates with a cello bow. Picture.|| ||3D40.30|| Chladni plate|| A horizontal metal plate covered with sand is struck or bowed while touching the edge at various nodal points.|| ||3D40.30|| Chladni plates ||Bow circular and square Chladni plates.|| ||3D40.30|| Chladni plates|| A plate is driven by magnetostriction in the 10 to 30 Khz range.|| ||3D40.31|| Chladni plates|| Sprinkled sand shows standing waves on a circular metal plate driven at the center by an oscillator.|| ||3D40.31|| Chladni plates|| Drive a Chladni plate from the center.|| ||3D40.32|| [:ChladniPlateViolin:Chladni Plate: Violin]|| Directions for making a loudspeaker driven Chladni plate for the overhead projector.|| ||3D40.32|| Chladni plates ||Chladni plates are driven from above by a loudspeaker. Pictures.|| ||3D40.33|| thick Chladni plate|| A circular disc of 1/2" aluminum exhibits a single pattern.|| ||3D40.34|| Chladni plates|| After some interesting historical and general comments, nonflat plates (cymbals, gongs, etc.) are examined.|| ||3D40.35|| 2-D flame table ||Two-dimensional rectangular and circular flame tables, extensions of the one-dimensional Rubens tube, are shown in some lower order modes|| ||3D40.35|| flaming birthday cake|| Flames from a two dimensional array driven by a speaker show many resonant modes.|| ||3D40.36|| 2D flame table analysis|| An analysis of the two dimensional flame table.|| ||3D40.40 ||Chladni figures - tympani head|| Drive a timpani head with a loudspeaker.|| ||3D40.40|| standing waves on a drum|| A speaker drives a circular rubber membrane under tension while illuminated with a strobe.|| ||3D40.40 ||standing waves in a drum|| A circular rubber membrane with a pattern is illuminated with a strobe and driven from below by a 12" loudspeaker. Pictures.|| ||3D40.40|| drumhead|| A speaker drives a drumhead.|| ||3D40.41|| vibrations in a circular membrane|| The eigenfrequencies of (21) agree closely with the theoretical values. Air damping is removed by using a wire mesh driven magnetically.|| ||3D40.45|| bubble membrane modes|| Use a large right angle PVC fitting.|| ||3D40.45|| soap film membrane modes|| Light from a slide projector is reflected off a soap film with a black cloth and speaker behind.|| ||3D40.45|| bubble membrane modes|| A simple technique to drive bubble membranes of various shapes with a speaker.|| ||3D40.50|| musical goblets||Rub the edge of a goblet with a wet finger.|| ||3D40.50|| glass tumbler|| Rub a finger dipped in vinegar around the top of a crystal goblet.|| ||3D40.51|| standing waves in a bowl|| A 15 l flask is cut in half to form a bowl which is bowed to produce standing waves. Suspended ping pong balls indicate nodes and loops.|| ||3D40.51|| bowing the bowl|| Suspend four pith balls so they touch the edge of a bowl and bow between two of the balls.|| ||3D40.52|| "whispering" waves in a wineglass|| A thorough discussion of surface waves in vessels, including ethylene glycol in a trifle dish.|| ||3D40.52 ||wineglass acoustics ||A study of wineglass acoustics.|| ||3D40.53|| wine glass waves, etc.|| Seven questions about wine glass waves are answered. Pictures of a glass harmonica and a Chinese "water spouting basin".|| ||3D40.55|| [:BrakingGlass:Breaking Glass with Sound]|| Large amplitude sound at the resonant frequency is directed at a beaker.|| ||3D40.60|| wind chimes|| Directions for making wind chimes. Some discussion of the perception of complex tones.|| ||3D40.60|| aeolian "bull roarer"|| The Australian "bull-roarer" produces a loud noise due to eddies in the air.|| ||3D40.65|| bull roarer|| || ||3D40.90|| spherical oscillations movie|| A description by the author of a computer generated movie of spherical oscillations.|| = 3D42. Percussion Instruments = ||<:10%>'''PIRA #'''||<:>'''Demonstration Name'''||<:60%>'''Abstract'''|| = 3D46. Tuning Forks = ||<:10%>'''PIRA #'''||<:>'''Demonstration Name'''||<:60%>'''Abstract'''|| ||3D46.15|| tuning fork sets|| Various sets of tuning forks.|| ||3D46.16 ||tuning fork ||Use a microphone and oscilloscope to display the waveforms of 256, 512, and 1024 Hz tuning forks.|| ||3D46.20|| tuning forks|| Strike two tuning forks. Hold one against the table and the other in the air. When the first is no longer audible, hold the second on the table.|| ||3D46.21|| tuning forks|| Compare losses of tuning forks of steel and alloy, on and off a resonator box.|| ||3D46.22|| adjustable tuning fork|| Adjust masses on each tine of a large fork and show the waveform on an oscilloscope. Mistuned forks damp quickly.|| ||3D46.25|| modulation of sound waves|| Two tuning forks of slightly different frequencies mounted on resonant boxes couple when the amplitude is varied by an oscillating barrier between them.|| ||3D46.30|| low frequency tuning fork|| Tuning fork motion can be studied with a large fork.|| ||3D46.31|| project a tuning fork ||Stroboscopically shadow project a vibrating tuning fork on a screen.|| ||3D46.40||vowel tuning forks|| A set of tuning forks made to give sounds that sound like the vowels.|| ||3D46.45|| quadrupole nature of a tuning fork|| Hold a tuning fork close to the ear and rotate it.|| ||3D46.90||frequency standard tuning forks|| Driven precision tuning forks of 400 and 100 Hz are used as secondary frequency standards.|| ||3D46.90|| Electronically driven tuning fork|| A tube circuit for driving a tuning fork.|| ||3D46.90|| electrically driven fork|| A vacuum tube circuit for driving tuning forks.|| = 3D50. Electronic Instruments = ||<:10%>'''PIRA #'''||<:>'''Demonstration Name'''||<:60%>'''Abstract'''|| ||3D50.10|| keyboards|| || |
Instruments
PIRA classification 3D
3D20. Resonance in Strings
PIRA # |
Demonstration Name |
Abstract |
3D20.10 |
sonometer |
A sounding box with strings, tuning machines, and adjustable bridges. |
3D20.10 |
sonometer |
A long spruce box with three strings, tuning machines, and adjustable bridges. |
3D20.11 |
vertical sonometer |
A vertical sonometer allows tension to be applied by simply hanging weights. |
3D20.14 |
tuning fork driven sonometer |
Place a tuning fork on the bridge of a tuned sonometer and observe the motion of a small piece of paper placed on the wire at its center. |
3D20.15 |
harmonics on a string |
Pluck a string at different distances from the end or pluck while touching at various nodes. |
3D20.20 |
modes of string oscillation on scope |
|
3D20.20 |
modes of string oscillation |
Use voltages generated by magnets placed across steel strings attached to an oscilloscope to view string motion. |
3D20.20 |
sonometer |
An electromagnetic pickup is used to display the waveform of the sonometer string on an oscilloscope. |
3D20.21 |
guitar and scope |
Show the output of an electric guitar on an oscilloscope. |
3D20.30 |
bowed string |
An overhead projector is modified for strobe projection and the string is bowed with a motorized "O" ring. |
3D20.30 |
sonometer wire motion |
Demonstrate the motion of a sonometer wire by stroboscopic shadow projection or using a light beam and revolving mirror. |
3D20.30 |
string in a projector |
The motion of a string is shown by placing any portion in a lantern projector limited by a slit. The difference in bowing, plucking, and striking can be demonstrated. |
3D20.31 |
optical detection of string motion |
An optical detection system for showing the position of a vibrating string. |
3D20.35 |
resonance of strings |
A tuning fork is held against a three string sonometer with one string tuned to the fork frequency. Only the tuned string will vibrate. |
3D20.36 |
simulated piano string coupling |
A classroom device that simulates the coupled motion of piano strings and theory of the device. |
3D20.45 |
longitudinal vibrations in strings |
Stroke a string attached to a diaphragm across the open end of a cylinder. By jerking, you can make it bark like a dog. |
3D20.52 |
aeolian harp |
Mount strings vertically on a rotating table to give the sound of strings excited by the wind. |
3D20.52 |
aeolian scope |
A sort of aeolian stethoscope. |
3D20.60 |
rubber-band harp |
The pitch of a rubber-band changes only slightly with great increase in length (tension). |
3D22. Stringed Instruments
PIRA # |
Demonstration Name |
Abstract |
3D22.10 |
violin |
|
3D22.20 |
cigar box cello |
A wooden cigar box serves as sounding box for a one string violin. |
3D22.20 |
cigar box cello |
A one string violin made with a cigar box body. |
3D30. Resonance Cavities
PIRA # |
Demonstration Name |
Abstract |
3D30.10 |
vertical resonance tube |
Draw a glass tube out of a water bath while holding a tuning fork over one end. |
3D30.10 |
veritcal resonance tube |
The length of a glass tube is varied by pulling it out of a water reservoir. A tuning fork is used as a frequency source. |
3D30.10 |
vertical resonance tube modification |
Design of a clamp to hold the tuning fork and resonance tube, and a bracket for the water reservoir. |
3D30.10 |
vertical resonance tube |
A glass tube is drawn out of a water bath while holding a tuning fork over one end. |
3D30.10 |
vertical resonance tube |
Use a tuning fork to excite the air column in a vertical tube as it is pulled out of a water bath. |
3D30.11 |
vertical resonance tube |
Blow across the mouth of bottles or a adjustable air column. |
3D30.12 |
vertical resonance tube |
A vertical tube is mounted over a siren disk. |
3D30.14 |
open tube resonance |
A length of open tube adjusted by a paper extension and excited by a tuning fork. |
3D30.15 |
resonance tube with piston |
Mount a microphone on a piston that slides in a glass tube and close the other end of the tube with a speaker. |
3D30.16 |
horizontal resonance tube |
A plunger on a rod is used to change the effective length of a horizontal glass tube as a tuning fork supplies the exciting frequency. |
3D30.16 |
organ pipe velocity nodes |
Lower a ring with a membrane and sand into a pipe with a clear side to observe velocity nodes and antinodes. |
3D30.17 |
modes of a bottle |
A thorough discussion of modes of various bottles working up to a 3-D model. |
3D30.19 |
low frequency generator |
A special tip for an air jet that produces many frequencies of low intensity useful for exciting enclosed air columns. |
3D30.20 |
open and closed tubes 256/512 |
|
3D30.20 |
resonance tube 256/512 |
A tube is cut to length to resonate at 256 Hz when closed and 512 Hz when open. |
3D30.21 |
conical pipes |
Corrections for the effective length of open and closed circular pipes are given. A conical pipe discussion with several interesting demonstrations is listed. |
3D30.35 |
[:Corrugaphone:Corrugaphone] |
|
3D30.35 |
Hummer tube |
The complete explanation on singing corrugated pipes. |
3D30.35 |
freq tube dash pot |
A freq tube is attached to coffee can moved up and down in a pail of water. |
3D30.35 |
freq tube |
Open tubes of corrugated plastic are whirled around. |
3D30.40 |
Helmholtz resonators |
A set of spherical resonators made of spun brass. |
3D30.40 |
Helmholtz resonators |
A small vane is rotated when placed near the small opening of a resonating Helmholtz cavity. |
3D30.40 |
acoustic resonator |
This picture appears to be of a Helmholtz resonator. |
3D30.40 |
Helmholtz resonators |
Two resonators are matched to two tuning forks. |
3D30.41 |
tuning a resonance box |
The hole size of a resonance box is adjusted to maximize resonance with a tuning fork. |
3D30.43 |
Fizeau resonance box |
A toothed wheel is used to produce a high pitched sound and an adjustable resonance box with a sensitive flame detector is used to determine speed of sound. |
3D30.45 |
ploop tubes |
Stoppers are removed from a set of tubes of varying length. |
3D30.45 |
ploop tubes |
Pull stoppers out of test tubes filled with water to different depths. |
3D30.50 |
Ruben's tube |
The standard Reuben's tube. |
3D30.50 |
Ruben's tube |
A gas filled tube with flames from a row of holes along the top and a speaker at one end. |
3D30.50 |
Ruben's tube |
Directions for building a Ruben's tube. Picture, Diagrams. |
3D30.50 |
Ruben's tube |
Drill a line of holes along a downspout and drive one end with a loudspeaker and introduce gas in the other. Flames indicate nodes and antinodes. |
3D30.50 |
Ruben's tube |
A horn driver is used as a sound source. |
3D30.55 |
Rubens tube comment |
A comment on AJP 53,1110 (1985). |
3D30.55 |
Rubens tube flame structure |
An examination of the structure of the flames in the normal mode (flame maxima at pressure nodes). |
3D30.55 |
Ruben's tube nodes |
The pressure is measured at each flame hole and the results are that the flames are larger at the pressure antinodes. |
3D30.55 |
Ruben's tube nodes |
A comment on a note that the tube can be operated with flame maxima at either pressure node or pressure antinode. |
3D30.60 |
[:KundtsTube:Kundt's Tube] |
Sawdust in a tube makes piles when driven by rubbing a rod attached to a disc. |
3D30.60 |
Kundt's tube |
Standard Kundt's tube: glass tube with cork dust, stroke a rod to excite air in tube. |
3D30.60 |
Kundt's tube |
Stroke a rod to excite cork dust in a tube. |
3D30.61 |
horn driven Kundt tube |
Investigation of striations in an electrically driven Kundt tube. |
3D30.61 |
Kundt's tube |
The cork dust in Kundt's tube is excited by a horn driver. |
3D30.62 |
Kundt's tube |
A variation of Kundt's tube with an organ pipe made with one side of rubber or cellophane and sprinkled with sand while laid on its side. |
3D30.63 |
Kundt's tube on the overhead |
A Kundt's tube is modified for use on the overhead projector. |
3D30.64 |
evacuate Kundt's tube |
Show the effect of pressure variation on the speed of sound by partially evacuating the Kundt's tube. |
3D30.65 |
hot wire Kundt's tube |
Cooling of a glowing wire down the center of a tube indicates standing waves. |
3D30.65 |
horizontal resonance tube - wire |
A nichrome wire stretched down the middle of a glass tube and heated electrically will glow to show standing waves. |
3D30.65 |
hot wire pipe |
Blow a whistle at one end of a tube with a hot wire running down the axis to show areas of low and high luminosity. |
3D30.66 |
Kundt's tube - impedance measurement |
Use the oscilloscope to show variation of impedance in the driving coil with changes in tube length. |
3D30.69 |
pressure distribution in a cavity |
Liquid deformation on the bottom of an acoustic cavity shows the time-dependent pressure distribution in a standing sound wave. |
3D30.70 |
hoot tubes |
A Bunsen burner heats a screen in the bottom of a large open vertical tube. |
3D30.70 |
hoot tubes |
Large glass tubes sound when a wire mesh at one end is heated with a Bunsen burner. |
3D30.70 |
hoot tubes |
A Bunsen burner heats a screen in the bottom of a large open tube. |
3D30.70 |
hoot tubes |
Singing tubes excited by hot gauze. |
3D30.70 |
hoot tubes |
Hints for making a singing tube work with only flame excitation. |
3D30.70 |
singing pipes |
Two metal tubes and a glass one. |
3D30.71 |
hoot tube |
Insert a fisher burner in a tube. |
3D30.72 |
hoot tubes |
The gauze in a hoot tube is held at the bottom of the tube and the flame is lit above it. |
3D30.73 |
Rijke Tube - electrical heating |
Construction of electrically heated Rijke tubes, tuning a T shaped tube. |
3D30.74 |
variable hoot tubes |
|
3D30.75 |
Knipp tubes |
Knipp tubes are a special form of singing tube made by holding a short length of glass tube in the closed end of a larger tube. Picture. Ref. F.R.Watson, "Sound"p.214. |
3D30.77 |
hot chocolate effect |
Tap on a tall cylinder full of water and then repeat with hot water so there are lots of bubbles. The pitch descends three octaves and rises as the bubbles float up. |
3D30.77 |
hot chocolate effect - comment |
A few explanations from a physical chemist. |
3D30.77 |
hot chocolate effect |
Tap on the bottom of an empty glass, a full glass (higher pitch), and a glass full of tiny bubbles (pitch raises as glass clears. Methods of generating bubbles with beer and hot water. More. |
3D32. Air Column Instruments
PIRA # |
Demonstration Name |
Abstract |
3D32.10 |
tin flute |
Open and close holes on a tin flute to find pressure nodes and antinodes. |
3D32.10 |
organ pipes with holes |
Show open and closed pipes of various lengths and one with holes bored in the side to give the diatonic scale. |
3D32.10 |
resonance tubes (three lengths) |
Blow air out of a flat nozzle across a set of three different length tubes. |
3D32.13 |
shrieker |
Insert a 1/2" dia. tube 12" long into a bottle of water and blow across. |
3D32.15 |
slide whistle |
Use a high quality sliding whistle made for band. |
3D32.15 |
variable pitch whistle |
A whistle with a sliding piston. |
3D32.15 |
slide whistle |
The variable length organ pipe. |
3D32.16 |
bird call |
Directions for making a bird call. Diagram. |
3D32.20 |
organ pipes with holes |
|
3D32.25 |
open and closed end pipes |
|
3D32.25 |
organ pipes |
A collection of open, closed, and variable length organ pipes. |
3D32.25 |
organ pipe |
A set of square wood organ pipes with a removable plug. |
3D32.25 |
pipes and whistles |
A simple discussion listing organ pipes and whistles. |
3D32.25 |
open and closed tubes |
Some very nice adjustable open and closed resonance tubes. |
3D32.25 |
organ pipe |
An organ pipe is connected to the house air. |
3D32.25 |
open and closed end pipes |
Three organ pipes, open and closed. |
3D32.27 |
"C" bazooka |
A 1.314 m brass tube sounds the note "C" when blown with the lips. |
3D32.30 |
slide whistle |
|
3D32.35 |
demonstration trumpet |
Interchangeable mouthpiece, leadpipe, cylindrical section, and bell allow one to show the function of the various parts of the brass instruments. |
3D32.36 |
hose in the bell |
With a garden hose in the bell of a trombone (flush with the end), the tones are: 3:5:7:9:11 and without the hose: 2:3:4:5:6. |
3D32.40 |
demonstration trumpet |
|
3D32.40 |
PVC instruments, etc. |
Very good instructions on making various instruments out of PVC. Also using a computer with a synthesizer to study scales. |
3D40. Resonance in Plates, Bars, Solids
PIRA # |
Demonstration Name |
Abstract |
3D40.10 |
glockenspiel |
A small xylophone can be played to demonstrate the musical scale. |
3D40.10 |
xylophone |
A small xylophone. |
3D40.10 |
xylophone bars |
Use a microphone and oscilloscope to display the waveforms of various notes on a xylophone. |
3D40.11 |
rectangular bar oscillations |
Strike a three foot rectangular bar on different faces and on the end. Listen to the different frequencies. |
3D40.12 |
high frequency metal bars |
Hold a metal rod at the midpoint and strike at the end. Two rods an octave apart are shown. |
3D40.15 |
musical sticks |
A set of wood sticks play a major scale when dropped on the lecture table. |
3D40.15 |
musical sticks |
A set of wood sticks is cut so they sound the musical scale when dropped. |
3D40.15 |
musical sticks |
Directions for making musical sticks. |
3D40.15 |
musical sticks |
A set of sticks give a complete scale when dropped. |
3D40.16 |
musical nails |
|
3D40.20 |
singing rod |
Hold a long aluminum rod at the midpoint and stroke with rosened fingers. |
3D40.20 |
singing rod |
A long aluminum rod will sing when held at the center and stroked with a rosin coated leather. |
3D40.20 |
singing rods |
Hold a long aluminum rod at the midpoint and stroke with rosined fingers. |
3D40.21 |
singing rod |
Stroke a 1/2" x 72" aluminum rod while holding at nodes to produce different harmonics. |
3D40.23 |
bow the vertical rod |
A long thin rod attached to a short thick rod clamped vertically is bowed and plucked while held at various positions. |
3D40.24 |
regenerative feedback in rod |
A detector at one end, speaker at the other, and an amplifier in between provides a regenerative feedback system for exciting a rod in the fundamental frequency. |
3D40.24 |
speed of sound in a rod |
Stroke a loud rod to get a squeal, tune a oscillator and speaker to get rid of beats, and calculate the velocity. |
3D40.24 |
speed of sound in a metal wire |
Wire is stretched tightly and stroked with a wet sponge. |
3D40.24 |
velocity of sound in a rod |
A rod clamped in the middle is excited by a coil at one end tuned until a Lissajous pattern is formed on an oscilloscope with the signal from a microphone placed at the other end. |
3D40.24 |
singing rod |
A rod is excited electromagnetically at one end and the motion is detected in the same manner at the other end for quantitative studies. |
3D40.27 |
singing rod |
Find Young's modulus by finding the sag in a rod and then compare the frequency of the fundamental mode with theory. |
3D40.30 |
Chladni plate |
Strike or bow a horizontal metal plate covered with sand while touching the edge at various nodal points. |
3D40.30 |
Chladni plate |
A brass plate clamped horizontally in the center is bowed while the edges are touched to provide user selected nodes. Banding sand shows patterns of oscillations. |
3D40.30 |
Chladni plates |
Bow the Chladni plate while damping at node locations with a finger. |
3D40.30 |
Chladni plates |
Excite the Chladni plates with a cello bow. Picture. |
3D40.30 |
Chladni plate |
A horizontal metal plate covered with sand is struck or bowed while touching the edge at various nodal points. |
3D40.30 |
Chladni plates |
Bow circular and square Chladni plates. |
3D40.30 |
Chladni plates |
A plate is driven by magnetostriction in the 10 to 30 Khz range. |
3D40.31 |
Chladni plates |
Sprinkled sand shows standing waves on a circular metal plate driven at the center by an oscillator. |
3D40.31 |
Chladni plates |
Drive a Chladni plate from the center. |
3D40.32 |
[:ChladniPlateViolin:Chladni Plate: Violin] |
Directions for making a loudspeaker driven Chladni plate for the overhead projector. |
3D40.32 |
Chladni plates |
Chladni plates are driven from above by a loudspeaker. Pictures. |
3D40.33 |
thick Chladni plate |
A circular disc of 1/2" aluminum exhibits a single pattern. |
3D40.34 |
Chladni plates |
After some interesting historical and general comments, nonflat plates (cymbals, gongs, etc.) are examined. |
3D40.35 |
2-D flame table |
Two-dimensional rectangular and circular flame tables, extensions of the one-dimensional Rubens tube, are shown in some lower order modes |
3D40.35 |
flaming birthday cake |
Flames from a two dimensional array driven by a speaker show many resonant modes. |
3D40.36 |
2D flame table analysis |
An analysis of the two dimensional flame table. |
3D40.40 |
Chladni figures - tympani head |
Drive a timpani head with a loudspeaker. |
3D40.40 |
standing waves on a drum |
A speaker drives a circular rubber membrane under tension while illuminated with a strobe. |
3D40.40 |
standing waves in a drum |
A circular rubber membrane with a pattern is illuminated with a strobe and driven from below by a 12" loudspeaker. Pictures. |
3D40.40 |
drumhead |
A speaker drives a drumhead. |
3D40.41 |
vibrations in a circular membrane |
The eigenfrequencies of (21) agree closely with the theoretical values. Air damping is removed by using a wire mesh driven magnetically. |
3D40.45 |
bubble membrane modes |
Use a large right angle PVC fitting. |
3D40.45 |
soap film membrane modes |
Light from a slide projector is reflected off a soap film with a black cloth and speaker behind. |
3D40.45 |
bubble membrane modes |
A simple technique to drive bubble membranes of various shapes with a speaker. |
3D40.50 |
musical goblets |
Rub the edge of a goblet with a wet finger. |
3D40.50 |
glass tumbler |
Rub a finger dipped in vinegar around the top of a crystal goblet. |
3D40.51 |
standing waves in a bowl |
A 15 l flask is cut in half to form a bowl which is bowed to produce standing waves. Suspended ping pong balls indicate nodes and loops. |
3D40.51 |
bowing the bowl |
Suspend four pith balls so they touch the edge of a bowl and bow between two of the balls. |
3D40.52 |
"whispering" waves in a wineglass |
A thorough discussion of surface waves in vessels, including ethylene glycol in a trifle dish. |
3D40.52 |
wineglass acoustics |
A study of wineglass acoustics. |
3D40.53 |
wine glass waves, etc. |
Seven questions about wine glass waves are answered. Pictures of a glass harmonica and a Chinese "water spouting basin". |
3D40.55 |
[:BrakingGlass:Breaking Glass with Sound] |
Large amplitude sound at the resonant frequency is directed at a beaker. |
3D40.60 |
wind chimes |
Directions for making wind chimes. Some discussion of the perception of complex tones. |
3D40.60 |
aeolian "bull roarer" |
The Australian "bull-roarer" produces a loud noise due to eddies in the air. |
3D40.65 |
bull roarer |
|
3D40.90 |
spherical oscillations movie |
A description by the author of a computer generated movie of spherical oscillations. |
3D42. Percussion Instruments
PIRA # |
Demonstration Name |
Abstract |
3D46. Tuning Forks
PIRA # |
Demonstration Name |
Abstract |
3D46.15 |
tuning fork sets |
Various sets of tuning forks. |
3D46.16 |
tuning fork |
Use a microphone and oscilloscope to display the waveforms of 256, 512, and 1024 Hz tuning forks. |
3D46.20 |
tuning forks |
Strike two tuning forks. Hold one against the table and the other in the air. When the first is no longer audible, hold the second on the table. |
3D46.21 |
tuning forks |
Compare losses of tuning forks of steel and alloy, on and off a resonator box. |
3D46.22 |
adjustable tuning fork |
Adjust masses on each tine of a large fork and show the waveform on an oscilloscope. Mistuned forks damp quickly. |
3D46.25 |
modulation of sound waves |
Two tuning forks of slightly different frequencies mounted on resonant boxes couple when the amplitude is varied by an oscillating barrier between them. |
3D46.30 |
low frequency tuning fork |
Tuning fork motion can be studied with a large fork. |
3D46.31 |
project a tuning fork |
Stroboscopically shadow project a vibrating tuning fork on a screen. |
3D46.40 |
vowel tuning forks |
A set of tuning forks made to give sounds that sound like the vowels. |
3D46.45 |
quadrupole nature of a tuning fork |
Hold a tuning fork close to the ear and rotate it. |
3D46.90 |
frequency standard tuning forks |
Driven precision tuning forks of 400 and 100 Hz are used as secondary frequency standards. |
3D46.90 |
Electronically driven tuning fork |
A tube circuit for driving a tuning fork. |
3D46.90 |
electrically driven fork |
A vacuum tube circuit for driving tuning forks. |
3D50. Electronic Instruments
PIRA # |
Demonstration Name |
Abstract |
3D50.10 |
keyboards |
|
[:Demonstrations:Demonstrations]
[:Instructional:Home]